In the lead up to our East~West Tea Drinking Traditions exhibition in May, Paul Davis and Jacqueline Clayton presented a brilliant workshop for us, focusing on Japanese tea bowls and tea ceremony.
The day was beyond expectations and although we didn't get to the clay ourselves, we were absorbed by everything Paul and Jacquie had to offer. Not only did we come away with so much knowledge on the construction of Japanese tea bowls, but insight into the tea ceremony from Paul's personal experience and a wonderful presentation from Jacquie that brought the tea traditions of China, Korea and Japan into perspective, and gave us a taste of how Europe and England came to develop their own traditions and styles.
Here is an excerpt and a few images from an article in this month's Newsletter.
“Every tea bowl has a front.”
There are many types of tea bowls. Winter bowls are narrower and therefore keep the tea warm while Summer bowls are shallower and broader and the tea cools more quickly. The most common bowls include Natsuchawan, Ido, Wan, Tenmoku and Shino.
Additional ceramic items used in the Tea Ceremony include Mizusashi - water jar/container with a black lacquer lid, Chaire - tea container with a wooden lid, Futaoki – to rest the water ladel on, and plates for Kashi Bachi - sweets.
Paul used a mixture of Keane’s Special K and Ironstone clays plus his own Kogero clay. His bowls have an asymmetrical, yet balanced presence, which is a result of how he forms the pot rather than additional treatment. He threw off the hump and also demonstrated handbuilt tea bowl techniques.
For one handbuilt bowl technique Paul placed a round slab on a turntable, which he compressed using finger marks. He then textured another slab with stretched wire and roughly folded it around and put a coil inside the base to strengthen and define the inside curve – essential to accommodate the shape of the tea whisk (see images below).
“All calibrated around the body. Items are made to comfortably hold. Everything works together - the width of the bowls,
the size of the spoons, etc.”
Jacquie gave us an illuminating presentation on Tea Ceremonies. With our East West Exhibition in mind she was looking at differences and similarities. Both East and West have tea rituals and all consider aspects such as attire, environment, ceremony and serving. Jacquie also gave a brief history of the spread of porcelain from East to West in the 15th century.
It was fascinating to learn the influences that contributed to the development of the tea ceremony in Japan. There is some contention as to the origins of some of the now commonplace aspects of this tradition. Some believe elements of Catholic rituals, brought by the Jesuits to Japan, had a strong influence. Was Sen no Rikyu a Christian?
All elements of the Japanese Tea Ceremony are steeped in tradition and work together to consider the whole experience - from the planning and sending of invitations and the months-long preparation of the garden to the choice of tea bowl, vase and floral decoration. Paul urged us to consider the Central Coast environment and use it as inspiration when developing pieces for the East West exhibition.
Text prepared by Ingrid Tristram
Photography by Kylie Rose McLean
Something from a past event this year.
Saturday 28th June was a special day at CCPS. Judy Barrett, our oldest member still potting, generously shared her time and some of her fascinating life story and gave a demonstration of her pottery wheel skills.
Judy has been potting for 45 years. She trained under some of Sydney's first potters and knew most of the key people involved in pottery in Sydney from the early 1960's. During our interview with her she mentioned, Velma Boos & Gary Booth who trained with David Leech in the UK. She was around in the early days of the Ceramics Study Group and was part of the experimenting and learning taking place in the Australian pottery scene at that time. Over almost five decades Judy has witnessed the many, many changes that have occurred in Australian pottery.
Before pottery, Judy studied at the University of Sydney between 1944 and 1949. In this time she obtained a Bachelor of Science, studied an Honors year and completed a Masters in Biochemistry. Later she travelled to the UK and carried out her Phd studies at Redding University. She is an accomplished and quite remarkable woman.
Judy has made pottery her life. She brought up her family from sales of her work and still pots today.
Here are a few images from the day.
A reminder of our drop in day for all those wanting to get their hands into some clay - newcomers and members alike.
From 11:00am to 2:00pm on Saturday 03 March, 2012 we'll have the doors open for anyone interested in playing with some clay or simply wanting to check out our facilities, join the membership or enroll in a class.
If you make something on the day you can have your work bisque fired, and if you're interested in returning later in the year for our Open Day, you can join in and see the stunning results from the Pit Firing.
Members free, Non members $10. Drop in for a fun few hours, meet some members and get to know what you can get involved with at CCPS.
Welcome to the CCPS blog!
Central Coast Potters Society is a non-profit, community organisation of like-minded volunteers who love clay.